Silverchair is an Australian alternative rock band. The band formed as
Innocent Criminals
in Newcastle, New South Wales, in 1992, with their current lineup of
vocalist and guitarist Daniel Johns, bass guitarist Chris Joannou, and
drummer Ben Gillies. Silverchair has been highly successful in the
Australian recording industry, receiving the industry's flagship awards,
the ARIA Awards, a record 21 times. The band has also received six APRA
Awards.
Silverchair found early success when one of their
first songs, "Tomorrow", won a local music competition run by Australian
television network SBS. The band was soon signed by Murmur, and were
successful on the Australian and international rock stages. In 2003,
following the release of
Diorama, the band announced a hiatus,
during which time members recorded with side projects The Dissociatives,
The Mess Hall, and Tambalane. Silverchair were reunited at the 2005
Wave Aid concerts, and went on to release
Young Modern and play the Across the Great Divide tour with Powderfinger.
Silverchair's
sound has evolved throughout their career, differing sounds on specific
albums steadily growing more ambitious over the years, from post-grunge
on their debut to their more recent orchestral prog-infused
chamber-pop. The songwriting and singing of Daniel Johns has been noted
as improving steadily while the band has developed an increased element
of complexity in later works. Silverchair have sold in excess of six
million records to date.
History
Formation and early releases (1992?1996)
In
1992, teenage singer/guitarist Daniel Johns and his school friend,
drummer Ben Gillies, started playing music together at their primary
school. When they moved on to Newcastle High School, schoolmate Chris
Joannou joined the pair on bass. They formed the band "Innocent
Criminals". They played numerous shows around the Hunter Valley region
in their early teens, as well as unsuccessfully participating in
Youthrock in 1994, a competition for school-based bands.
The
band's mainstream breakthrough came in 1994, when they won a national
competition called "Pick Me", conducted by the SBS TV show
Nomad
and alternative radio station Triple J) with a demo of their original
song "Tomorrow". As part of the prize, Triple J recorded the song and
ABC filmed a video for it. Innocent Criminals were then given the
opportunity to change their name before the release of "Tomorrow" as a
single. There are a number of stories as to how the name 'Silverchair'
came about - from a list of possible band names given to them by
management; from the Narnia book "The Silver Chair"; or from a
combination of You Am I's "Berlin Chair" and a misspelling of Nirvana's
"Sliver."
Following a bidding war between rival labels,
Silverchair signed a three-album recording contract with Sony Music
subsidiary Murmur Records; Sony A&R manager John Watson, who was
jointly responsible for signing the group, subsequently left the label
to become the group's manager. Their Triple J recording was released in
August 1994 and the single spent six weeks at #1 on the ARIA Singles
Chart. In 1995, a re-recorded version of "Tomorrow" (and a new video)
was made for the US market, becoming the most played song on US modern
rock radio that year.
Silverchair?s debut album,
Frogstomp,
was recorded in just nine days, and released in 1995. At the time of
recording, the band members were only 15 years old, and still attending
high school.
Frogstomp's lyrical concepts were fiction-based,
drawing inspiration from television, hometown tragedies, and perceptions
of the pain of friends. The album was well received; Allmusic and
Rolling Stone
rated it in four and four-and-a-half stars respectively, praising the
intensity of the album, especially "Tomorrow". A #1 hit in Australia and
New Zealand,
Frogstomp went on to hit the
Billboard 200
Top 10, making Silverchair the first Australian band to do so since
INXS. The album sold more than 2.5 million copies worldwide. As
Frogstomp
and "Tomorrow" continued to gain popularity through that year, the
group toured with Red Hot Chili Peppers and played on the roof of Radio
City Music Hall, while also continuing with their education in Newcastle
that year.
In a January 1996 murder case, the defendant
counsel for Brian Bassett, 16, and Nicholaus McDonald, 18, claimed that
the pair listening to "Israel's Son", from
Frogstomp, caused the
murder of Bassett's parents to take place. The band issued a statement
denying that they condoned any such acts of violence, and the defense
case was rejected.
Critical and commercial success (1997?2001)
While experiencing the success of
Frogstomp in Australia and the United States, Silverchair began recording their second studio album,
Freak Show,
which they released in 1997. The album yielded three Top 10 singles in
Australia ? "Freak", "Abuse Me", and "Cemetery". The fourth single, "The
Door", reached #25. The songs focused on the anger and backlash that
the expectations of
Frogstomp brought upon the band.
Freak Show was certified gold in the United States, and global sales eventually exceeded 1.5 million copies.
After graduating from school the band was able to spend much more time creating their next album,
Neon Ballroom,
released in 1999. The band originally intended to take a
12-month-break, but in the end decided to devote their time to making
music.
Neon Ballroom produced four singles; "Anthem for the Year
2000", "Ana's Song (Open Fire)", "Miss You Love", and "Paint Pastel
Princess", three of which reached the top 50 of the ARIA Charts.
Both
Freak Show and
Neon Ballroom
topped the ARIA Albums Chart, making them the band's second and third,
respectively, to do so. The albums charted well overseas;
Freak Show reached #2 in Canada, and
Neon Ballroom
reached #5. "Freak", "Abuse Me", and "Cemetery" all made the top 10 in
Australia, and "Abuse Me" reached #4 on the Hot Modern Rock Tracks and
Hot Mainstream Rock Tracks charts. "Anthem for the Year 2000" was the
highest charting single from
Neon Ballroom, at #3, while "Ana's Song (Open Fire)" peaked at #12 on the Hot Modern Rock Tracks.
In
1999, Johns announced that he had developed an eating disorder due to
anxiety. Johns noted that the lyrics to "Ana's Song (Open Fire)" dealt
with his disorder, where he would "eat what he needed ? to stay awake".
Johns later revealed that he had written
Neon Ballroom while he
was suffering from the disorder, and that he "hated music, particularly,
my own" at the time, but felt that he had to disappoint music fans
nonetheless.
Silverchair toured extensively in support of
Neon Ballroom, propelling it to stronger worldwide sales than they had achieved with
Freak Show.
Rolling Stone's
Neva Chonin attributed the success to the album's more "mature" sound.
In Europe and South America it became the group's most successful album
to date, with Silverchair touring live and making appearances at
festivals in Reading and Edgefest, amongst others. Silverchair's only
live performance in 2000 was at the Falls Festival on New Year's Eve. On
21 January 2001, the band played to 250,000 people at Rock In Rio, a
show they described as the highlight of their career. Following the
tour, the band announced that they would be taking a 12-month-break.
After the release of
Neon Ballroom,
Silverchair's three album contract with Sony Music ended. The band were
subsequently pursued by record labels during their hiatus. At the end
of the break, they announced that they would be signing with Atlantic
Records for North and South America, as well as forming their own label,
Eleven: A Music Company, for Australia and Asia. After the
announcement, Sony released
The Best of Volume 1 without the band's consent.
Diorama (2001?2002)
"Luv Your Life"
"Luv
Your Life" was typical of Johns' new-found method of writing songs on
piano, and also featured an orchestral arrangement by Van Dyke Parks.
In
June 2001, Silverchair entered a studio in Sydney with producer David
Bottrill (Tool, Peter Gabriel, King Crimson) to start work on their
fourth album,
Diorama. This time, Daniel Johns formally assumed
the role of a co-producer. The album, which Johns described as "a world
within a world", came from his newfound method of writing most of the
material on the piano, a technique he had developed during the band's
break. In order to complete his vision for
Diorama, several other
musicians were drawn in to contribute to the album, including Van Dyke
Parks, who contributed orchestral arrangements to "Tuna in the Brine",
"Luv Your Life", and "Across the Night". Paul Mac and Jim Moginie also
collaborated with the band. While recording
Diorama, Johns
referred to himself as an artist, rather than simply being in a "rock
band". Upon the album's release, critics commented that the album was
more artistic than previous works.
The first single from
Diorama,
"The Greatest View" was released to radio networks in Australia in
early December. The single was then released to coincide with the band's
appearance on the Big Day Out tour. During the tour, Johns' reactive
arthritis made it difficult for him to play the guitar.
Diorama
topped the ARIA Albums chart, and spent 50 weeks in the top 50. Five
singles were released; "The Greatest View", "Without You", "Luv Your
Life", "Across the Night", and "After All These Years". Of these, "The
Greatest View" charted strongest, reaching #3 on the ARIA Singles Chart.
Diorama was successful at the 2002 ARIA Awards, winning five
awards including "Best Rock Album" and "Best Group". The band played
"The Greatest View" at the ceremony; the song was also nominated for
"Best Video". The album, and singles from it, were nominated for several
awards in 2003. Following the 2002 ARIA Awards, the band announced an
indefinite hiatus. Johns says it was necessary "given the fact the band
were together for over a decade and yet were only, on average, 23 years
old".
Extended break and side projects (2003-2005)
In 2000, while also working with Silverchair, Johns and Paul Mac released an internet-only EP titled
I Can't Believe It's Not Rock.
After the announcement of Silverchair's hiatus, the pair re-united and
formed The Dissociatives, releasing a self-titled album in 2004 as well
as providing the theme music for the popular ABC-TV music quiz show
Spicks and Specks (a reworking of The Bee Gees' 1966 hit of the same name).
Johns also collaborated with then-wife Natalie Imbruglia on her
Counting Down the Days album, released in April 2005. Meanwhile, Joannou worked with side project The Mess Hall, producing their second album
Feeling Sideways.
The album was nominated for the ARIA Award for "Best Independent
Release" in 2003. Gillies also worked with a side project; releasing a
self titled album with Tambalane, and touring across Australia.
Following
the Boxing Day Tsunami, Silverchair reformed for one show at the Wave
Aid fundraising concert in Sydney in 2005, to raise funds for aid
organisations working in disaster affected areas. At the same time, the
band decided to reunite. Reflecting on the occasion, Gillies put the
band's reuniting down to a special "chemistry" between band members,
telling
The Sydney Morning Herald "It only took us 15 years, but recently we've realised, 'We've really got something special and we should just go for it.'"
Return from hiatus (2006?present)
Silverchair performing on the Across the Great Divide Tour in September 2007
After performing at Wave Aid, Silverchair reunited and began preparations for their next album. In 2006,
Young Modern
was demoed in the Hunter Valley, and recorded at Los Angeles' Seedy
Underbelly Studios with producer Nick Launay. Van Dyke Parks again
worked with the band, who travelled to Prague to record with the Czech
Philharmonic Orchestra. Silverchair produced the album independently, to
ease the pressures faced previously when working with a record label.
The
band toured extensively before releasing the album, performing at
Homebake and numerous other shows. They performed a cover of Midnight
Oil's "Don't Wanna Be the One" at the 2006 ARIA Awards as part of
Midnight Oil's induction into the ARIA Hall of Fame. During the
performance Johns spray painted
PG4PM (Peter Garrett for Prime
Minister) on a stage wall, paying tribute to the band's frontman, now a
Federal Member of Parliament and Minister for the Environment, Heritage
and the Arts. On 12 June 2007, Silverchair and fellow rock group
Powderfinger announced the Across the Great Divide Tour. The tour aimed
to promote the efforts of Reconciliation Australia in mending the
17-year gap in life expectancy between Indigenous and non-Indigenous
children.
Silverchair on stage at the 2008 Big Day Out
The
album was released in 2007, as was the first single, "Straight Lines".
"Reflections of a Sound", "If You Keep Losing Sleep", and "Mind Reader",
were subsequently released.
Young Modern became the fifth
Silverchair album to top the ARIA Albums chart. "Straight Lines" also
became the band's third #1 single in Australia. The album and song each
won three awards at the 2007 ARIA Awards, taking Silverchair to a total
of 20. Silverchair won three APRA Awards for their song "Straight
Lines", including Songwriter of the Year, which Johns was awarded for a
record third time.
According to Silverchair's website, as of 7 June 2009, Silverchair has begun work on the follow-up to
Young Modern,
having spent three weeks recording in Australia with future sessions
earmarked for the summer. No release date has been set, but the band
uploaded in-studio videos working on several tracks to their official
website.
Musical style
"Straight Lines"
"Straight
Lines", ARIA's 2007 Song of the Year, was described as an "instant rock
classic" by Allmusic, with reviewer Clayton Bolger asserting
Young Modern was drastically different to the straight-forward grunge on early albums, and the "few musical surprises" on
Neon Ballroom and
Diorama.
Silverchair
are generally classified as an alternative rock/post grunge band,
although their loyalty to specific genres has changed as they have
matured. Much of the band's early post-grunge work was inspired by
Nirvana, Pearl Jam, Soundgarden, Alice in Chains and Black Sabbath.
Gillies agreed, noting the band were inspired by the "Seattle Sound", as
well as The Beatles and The Doors, and were highly impressionable in
their youth. In their early years the perceived stylistic similarities
led to silverchair being derisively dubbed "Nirvana in Pyjamas" by the
Australian media (a sarcastic conflated reference to the band's youth
and the popular Australian childrens TV series
Bananas in Pyjamas).
In writing
Young Modern,
Johns tried to make the music sound very simple, in spite of a complex
musical structure. The lyrics were written after the music was produced,
sometimes as late as the day of recording. As Johns has said he dreads
writing lyrics, he suggested that the band could produce an instrumental
album at some stage in the future. Johns is the band's primary
songwriter, and notes that while Joannou and Gillies do not have
significant influence on what he writes, they are key to the band's
overall sound.
Joannou believed that
Young Modern was simpler than
Diorama
but "still as complex underneath with simple pop song elements". He
said that much of the success of him and the band resulted from
silverchair trying to push themselves harder in recording and writing.
Self-producing allowed the band to do so without the pressures of a
record label.
Gillies notes that silverchair will often "run
the risk of losing fans" in their work, and this was evident in the
changes in musical direction in
Diorama and
Young Modern.
However, he described this as a good thing, describing the fact "that we
haven?t been pigeonholed, and people really don?t know what to expect"
as one of the attractive elements of the band. Despite the ups and downs
of success at a young age, Gillies says the band "appreciate what we?ve
achieved and what we?ve got" in their careers.
Reception
Frogstomp
was described as similar to Nirvana and Pearl Jam; Allmusic's Stephen
Thomas Erlewine noting it followed in "the alternative rock tradition"
of the bands. The band's songwriting was poor at that stage, with
Erlewine stating that "their songwriting abilities aren't as strong" as
those of their peers.
Rolling Stone however, claimed that the band had risen above their peers, applauding Johns' "ragged vocals".
Freak Show
saw the band show more of their own musical style, rather than copying
others, and thus received more praise for its songwriting than its
predecessor. Yahoo! Music's Sandy Masuo described the lyrics as "moving"
and "emotional".
Entertainment Weekly approved of the further advancement in
Neon Ballroom,
commenting on "plush strings on these adult arrangements". There were
once again significant advancements in songwriting; Johns was described
as "furious, motivated, and all grown up". However,
Rolling Stone said the album seemed confused, commenting that Silverchair "can't decide what they want to do" with their music. Meanwhile,
Diorama
was seen as an extension of the band's originality, with its "eavy
orchestration, unpredictable melodic shifts and a whimsical pop
sensibility". According to PopMatters' Nikki Tranter, the album stood
out in an otherwise dull Australian music market.
Allmusic's Clayton Bolger described
Young Modern
as an improvement by the band, praising "catchy melodic hooks, inspired
lyrical themes, and stunning string arrangements". He claimed the album
was the pinnacle of the band's development. PopMatters' Nick Pearson
saw the opposite, claiming that "nce you reach the level of intellectual
maturity where you can tell the difference between cryptic but poetic
lyrics and nonsensical crap, you have outgrown Silverchair". Pearson
called the album an attempt to secure a safer territory and assure
sales, after the success of past works, calling it more boring than its
predecessors. Other reviewers noted influences from cult British band
XTC.
In July 2009 "Tomorrow" was voted number 33 by the Australian public in Triple J Hottest 100 of all time.
Source: www.lyricsfreak.com
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